Kelly Saunders is not from here, and not from now. Her voice is like a ghost’s, calling from the past: rich, and otherworldly.
Born in Sydney on July 4, 1983, Saunders grew up in Fiji and Indonesia before returning Australia at the age of seven. Now based in London, after a brief stint living amongst the cloudy bustle of busy Hong Kong, and the flourishing flamenco masters of Seville, Saunders records music at home with the help of her co-producer, and sometimes collaborator, Johnny Dance.
In the tradition of the travelling folk-singer, Saunders’ charmingly simple ditties anchor what is an otherwise unpredictable
and vagabondish life. Saunders’ quaint but hooky songs focus on storytelling in her naturally old-world register. Accompanying her folkish melodies is the gentle and playful strumming of Saunders’ self-taught acoustic guitar.
Saunders’ songs are not strictly biographical but instead are fictive and elaborative vignettes about the characters she’s met along her way. Writers of Victorian children’s books such as Lewis Carrol, George McDonald and JM Barrie — and more recently Salman Rushdie—create worlds with endless possibilities and pictures. In the spirit of these writers Saunder renders her highly imaginative stories around playfully sweet and hauntingly nostalgic melodies.
Saunders’ first live performance took place at The Magic Theatre in Sydney, Australia — a gypsy-style coming together of artists, poets and other transient creatives. The Magic Theatre took place every second Sunday of each month for two years and was held in a highly decorated space on the fringe of Sydney city. Many of the unusual people Saunders encountered within this community led her to pen her first lyrical stories.
Some of the songs on Saunders’ debut album were composed in her Chinese home thoughout 2008 — a high-rise apartment amid a constellation of skyscrapers in the middle of the heaving, bustling city of Hong Kong. Meditating on the sea of heads bobbing in and out of her birdseye view, Saunders’ reflective compositions express the pangs of loneliness amid an unreachable crowd (or audience) and, more broadly, the occasional ennui and solemnity of a life lived abroad. Picking out strangers from her vantage point and writing descriptive songs about them comprised Saunders’ artistic M.O. for the latter half of 2008. Her unsuspecting subjects inspired songs such as ‘Different Drum’, ‘When You’re Alone’, ‘If I Had A Roof’ and ‘Honey, When You’re Gone’.
Having recently moved to London, into a small, eerie flat above a greasy take-away, from which she can spy the Hackney railway line and the buzzing light of the local 24 hour Tesco, Saunders has added the finishing touches to her debut in the form of ‘Morning Lane’, an earthy tribute to her modest English street, and ‘Kingdom Come’, an exultant and expressive lyrical work in the tradition of an English royal hymn. Still living in London for the moment, Kelly — a true romantic and authentic music-lover — continues to convert the subtle fabric of her quotidian, domestic existence into her cutely textured and finely nuanced compositions.
Saunders lists her recent influences as Karen Dalton, Josephine Foster, Joanna Newsom, Sandy Deny/Fairport Convention, Joan Baez, Neil Young, Johnny Dance, Beach House, Breathe Owl Breath, Des Miller, Magnolia Electric Company, Martha Wainwright, Antony and the Johnsons, and Nick Drake.
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